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I certainly had a fun time with the first season of Higurashi. I’m not knocking anyone for liking or even loving these series.
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Then there are manga like Jagaaaaaan and Mahou Shoujo Site, which start off with interesting ideas but then quickly turn into gory action-dramadies that aren’t too different from, say, Zetman.
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Beyond those, we have series like Kyouchuu Rettou or Highschool of the Dead, which are mainly cheesecake vehicles where even sequences involving characters being mauled and eaten are blocked in highly pornographic and leering ways. It’s a nice gag, but it gets old fast – and as far as I’m concerned, the first Puella Magi Madoka Magica series told that joke the best. That might be the point with something like Mousugu Shinu Hito have a seemingly innocent-looking story turn out to be dark as hell. This might be just a Me Problem, but when I think about horror manga and anime like Higurashi no Naku Koro Ni or Dead Tube, I find them to be so stylized that it’s sometimes hard for me to be unnerved. In an industry that constantly finds itself beholden to old and familiar standards, good examples can be hard to find. However, I think what helps is not only having an art style that works with the tone of your story, but also making sure thar the actual narrative stays true to the horror form.
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I’m not saying it can’t be done Perfect Blue, Paranoia Agent, Blood: The Last Vampire, Manhole, and Serial Experiments Lain are standout examples.
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I feel like horror in anime and manga is hard to pull off. While there have been film adaptations of his work and even an anime series (with an adaptation of Uzumaki on the way), the books are where it’s at. His work’s been absorbed, dissected, and made into countless memes. The man himself has become a rockstar among many hobbyists, and Crunchyroll even had him tour the Winchester Mystery House and give a speech at an awards show. Ito’s praises have been sung to the moon and back. Then you probably found some videos of him and learned he’s one of the nicest dorks out there. It’s in these cases that perhaps you dug deeper and learned the name Junji Ito, the manga-ka behind such works as Uzumaki, The Thing That Drifted Ashore, Venus In The Blind Spot, and even an adaptation of Mary Shelley’s Frankenstein.
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There is also a good chance, however, that you’ve found a page from a manga depicting a licorice-shaped man crawling out of a crack in the earth, or a vortex opening up in a girl’s skull, or a crowd of terrified onlookers gazing up at a planet staring back at them with a single unblinking eye. Then if you ever found yourself floating through the anime forums, you’ve probably skimmed over pages of pastel-coloured people with Starburst-hued hair and obscene proportions before coming to know more prolific artists like Rumiko Takahashi, Katsuhiro Otomo, or Q Hayashida. Maybe you’ve finally put a name to the works of Frank Frazetta or the late Qing Han, or marveled at Tomislav Jagnjic’s scenic fantasy pieces and had a chuckle at his naming conventions. If you’ve been on the internet long enough and loitered around the right forums, you’ve no doubt become familiar with all kinds of weird and wonderful artists. It’s also going to contain mild spoilers for a few of Junji Ito’s series, as well as Carnacki the Ghost Finder, the Southern Reach Trilogy, and a handful of horror manga.
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DISCLAIMER: This is going to feature some disturbing imagery and depictions of violence, so it might not be for everyone.